TD attends relaxed performance of MATILDA THE MUSICAL

Attendees of Matilda The Musical's relaxed performance

Attendees of Matilda The Musical’s relaxed performance

By Ruth McPherson

On 15 June, the Royal Shakespeare Company presented the inaugural ‘relaxed’ performance of Matilda The Musical at Cambridge Theatre, building on the programme of relaxed performances that the RSC has been running in Stratford-upon-Avon since 2013, when it was among the first to adopt and promote the concept. The National Autistic Society worked closely with the RSC on this special performance offering full access to the theatre for people with autism and learning disabilities.

The performance provided a relaxed environment, with elements of the production adapted to reduce anxiety or stress. Lighting and sound levels were adjusted to soften their impact and there was a relaxed attitude to noise and moving around the auditorium during the performance.  Designated ‘chill-out’ areas were provided outside the auditorium with soft seating and activities for people to use if being in the auditorium became overwhelming for them. All audience members were also sent a visual story to help them familiarise themselves with the plot, characters and the setting before they arrived at the theatre.

Tickets for the show were offered at the reduced rate of £20 and it was a sell-out performance. Catherine Mallyon, executive director of the Royal Shakespeare Company, said ‘Relaxed performances are a fantastic way of offering a warm and inclusive welcome to those families, giving them the chance to experience high quality, live theatre, often for the first time. We are delighted to be part of the growing number of theatres across the UK helping to make relaxed performances a standard feature of British theatre-going.’

The cast of Matilda The Musical. (Credit: Manuel Harlan)

The cast of Matilda The Musical (Credit: Manuel Harlan)

Several other major London shows have also presented successful ‘relaxed’ performances recently, including The Curious Incident of the Dog in the Night-Time, Romeo and Juliet, The Elephantom, Mamma Mia! and The Lion King.  The National Theatre has recently announced that they will be putting on a relaxed performance of War Horse in September.

ATG owners top The Stage 100 List

Chief executives Howard Panter and Rosemary Squire of the Ambassador Theatre Group have come top, for the fifth year running, of The Stage 100 List – the industry paper’s annual power list. The theatre group, established over 20 years ago, owns 39 theatres in the UK.

Last year saw ATG undergo a period of change and growth: the company purchased New York theatre, Foxwoods, home to the soon-to-close production Spiderman: Turn Off the Dark. This marks the first UK theatre group to own a Broadway venue. Later in the year ATG was bought out by a US private equity firm for £350m. Deputy editor of The Stage Alistair Smith described the deal as a ‘game-changer’ and ‘the biggest theatre transaction that has ever taken place in the UK market.’

The National Theatre team of Nicholas Hytner and Nick Starr, who came joint top with ATG’s Panter and Squire in the 2013 list, have come in second in this year’s fixtures. Andrew Lloyd Webber, having previously topped the list six times, is in third place. Cameron Mackintosh and Nick Allott come in at four and Sonia Friedman at five.

New entries in the top ten include Gregory Doran and Catherine Mallyon for the Royal Shakespeare Company, Sam Mendes and Caro Newling for Neal Street Productions, and theatre director Jamie Lloyd.

For the full The Stage 100 List, visit www.thestage.co.uk.