Miliband promises arts at the heart of Labour government

Ed Miliband has said that Labour will ‘put policy for arts and culture and creativity at the heart of the Labour government’s mission’ if the party gains power in this year’s general election. The Labour leader was speaking at the Creative Industries Federation at Battersea Arts Centre.

‘Britain will be a prouder, richer, stronger country when we give everybody the opportunity to develop their creativity, expand their horizons, enhance their talents and make a life for themselves in the arts and culture: old and young, rich and poor, north and south.’

Despite his backing of arts and culture, Miliband would not confirm that there would be no further cuts to the arts, saying: ‘I can’t make promises about what funding’s going to look like in the future.’

Ed Miliband speaking at the Creative Industries Federation at Battersea Arts Centre (Credit: Ian Watts)

Ed Miliband speaking at the Creative Industries Federation at Battersea Arts Centre (Credit: Ian Watts)

In his speech, Miliband also quoted from the Warwick Commission’s report, and said: ‘If we care about the opportunities for the young, the findings of the Warwick Commission should worry us all.

‘The next Labour government’s mission is to guarantee every young person, from whatever background, access to the arts and culture: a universal entitlement to a creative education for every child.’

In Miliband’s speech, Labour backed the Warwick Commission’s recommendation that schools will only be able to receive an ‘outstanding’ rating from Ofsted if they offer creative subjects and cultural opportunities within a broad and balanced curriculum.

Other policies announced during the speech included: strengthening creative education in schools by encouraging afterschool clubs to offer music, drama, dance, art, sport or other creative activities; building better career pathways into the arts and creative industries by increasing the number of apprenticeships; and widening free access to museums and galleries.

Theatre casualties in Arts Council national portfolio announcement

Richard Frame (Hermia), Thomas Padden (Theseus) & Sam Swainsbury (Demetrius)

Propeller in performance: the theatre company’s future is thrown into doubt without Art Council funding

Arts Council England (ACE) has revealed the organisations who will, and will not, be part of their national portfolio for 2015–18. All-male Shakespeare company Propeller, Orange Tree Theatre in Richmond and radical touring company Red Ladder have not made ACE’s portfolio list, resulting in loss of funding.

Propeller were told by the ACE, ‘’We decided that, taking into account the quality and level of your artform provision available nationally, we preferred other applications.’ Responding to ACE’s comments, the company and Propeller’s director Edward Hall said: ‘Whilst a lack of commitment from ACE to high-quality touring theatre on a financial basis is perhaps understandable, Propeller’s national reach and quality of work cannot be called into question as our track record amply demonstrates. I am sorry that this decision will prevent us from continuing to pursue our national touring programme which has delighted so many thousands of people and which will prevent our company from pursuing its commitment to delivering affordable, high-quality drama in the regions.’

News of Orange Tree Theatre’s funding loss from the ACE came as the new artistic director Paul Miller began his first day in the role. He told BBC news: ‘I think the big, national contradictory pressures that are on the Arts Council were just so great that something had to give – and on that occasion it was us.

‘Once upon a time, the Orange Tree was a fledgling start-up company that had its first Arts Council funding. For new younger companies to get into the system, it means that existing organisations cannot simply take for granted that they will continue to be regularly funded. There are still many ways in which we can continue to take wonderful theatre in our lovely space. We just have to find a financially different way of doing it.’

Other organisations face smaller cuts: The Barbican will lose 18% of funding, while The Southbank Centre, National Theatre and Royal Shakespeare Company will each receive a 3.6% reduction.

Some theatre organisations enjoyed a boost, with increases in funding for Unicorn of 28% and Hull Truck of 46%; welcome news for Hull Truck following the ACE’s assessment of the theatre company earlier this year as facing ‘immediate and serious financial risk’.

This year saw a 2% rise in the allocation of funding to regional companies, with 47% dedicated to organisations in London and 53% to those outside of the capital.

ACE chair Sir Peter Bazalgette said of the portfolio announcements: ‘We are in the premier league of creative nations and this portfolio will keep us on top in an era of tight funding. We can delight in our arts organisations and museums for the sheer inspiration they bring to our daily lives as well as their contribution to the creative sector. I’m proud that we’ve been able to deliver such a strong and well balanced portfolio.

‘With 46 new entrants to the national portfolio, with increased funding for grants for the arts, and with creative people and places being maintained at its current level over the next period, this settlement represents a commitment by Arts Council England to new talent and building England’s arts and culture capacity all over the country. When funding is declining you have to set priorities – this we have done.’

Newcastle city council cuts all funding to arts organisations

Theatre_Royal,_Newcastle_upon_TyneNewcastle City Council is to cut 100% of its funding to arts organisations in the city by 2016 in the effort to save the council
£90million.

Proposals from the council state: ‘The city benefits from vibrant and popular cultural institutions, but given the scale of government cuts it will not be possible for us to play as significant a role in their funding in the future. We therefore propose to work with cultural institutions to manage a substantial reduction in their funding from the council, with some institutions needing to secure their future without council resources by 2016.’

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ACE faces further cuts of over £11million

George Osborne's Autumn Statement leaves ACE reeling from further cuts

George Osborne’s Autumn Statement leaves ACE reeling from further cuts

Arts Council England (ACE) is to receive cuts of £11.6million by 2015, additional to the 30% cut to the organisation’s budget in 2010.

Chancellor George Osborne revealed in his Autumn Statement that cuts of 3% would be made to the Department for Culture, Media and Sport (DCMS) by 2015. DCMS has passed on the cuts to ACE:  2013/14 will see the council’s budget squeezed by £3.9 million and by £7.7million in 2014/15.

Due to the administrative cuts already faced by ACE, the organisation claims that it cannot downsize its services and team any further, meaning cuts have been passed onto the 696 bodies and National Portfolio funded by ACE.

Arts Council chief executive Alan Davey explained: ‘The government’s intention seems to have been that Whitehall departments absorb any cuts themselves from efficiencies but since the DCMS has already given itself a 50% administration cut – which was also applied to the Arts Council – the department’s latest cuts have been passed straight on to the bodies it funds.

‘We must now look closely at the figures and decide how we will pass these cuts on. Some organisations are also having to deal with local authority cuts and so the situation is extremely challenging.’

The cuts seem to have taken immediate effect, with organisations such as the British Museum, National Gallery and the V&A already having received letters confirming a reduction in their funding from the ACE. Further cuts are being anticipated after George Osborne announced a spending review covering the same spending period and beyond.

Drama school students face 15% cut in higher education places

The Conservatoire for Dance and Drama (CDD) has warned applicants could face a cut of 15% in students accepted onto drama school courses, if government plans are to go ahead.

The government plans for there to be more competition in higher education. They propose that universities should compete for students who receive AAB and above at A level. This would affect the number of places given on the basis of auditions rather than qualifications.

CDD has raised its concerns in response to the governments plans, ‘because the conservatoire recruits on talent and potential rather than on formal qualifications, its AAB+ population will vary considerably year on year.’

If government plans do go ahead it could mean 15% fewer places for UK and EU students applying for drama school places. CDD maintains that they will strive to, ‘continue competing with the best in the world in the UK national interest, and to provide access to this training on the basis of talent alone.’