NYT chief executive Paul Roseby claims that GCSE drama has ‘no relevance’

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Paul Roseby is the chief executive of the National Youth Theatre

Speaking at the Artsmark conference in late October, the chief executive of the National Youth Theatre was reported by The Stage as saying that drama at GCSE has ‘no relevance’ and that ‘we don’t need drama on the curriculum in such a formalised way.’

Roseby suggested that drama could be integrated into other subjects rather than continue to exist as what is perceived as a ‘very soft and easy’ stand-alone subject. He said: ‘You and I know it’s not, but the perception of it is, and that’s the battle.’

He said: ‘I would love to see schools become more like creative hubs and revolutionise the way we learn. They would create formulas and ideas that would stimulate subjects by actioning stories – Alan Turing, for instance, or Marie Curie, or re-enacting the cabinet war rooms. It’s taking the practical side of what theatre is and applying it to all subjects.

Roseby’s comments have attracted criticism from drama education figures such as Patrice Baldwin, chair of National Drama; Ian Kellgren, chief executive of Drama UK; and drama practitioner and professor Jonothan Neelands.

Neelands said Roseby’s comments were ‘not a helpful suggestion’, continuing, ‘It would be the end 
of drama in schools, frankly. If you don’t have it at GCSE, you’re pretty much saying that it doesn’t have any importance’.

Following the publication of Roseby’s comments in The Stage, the chief executive has taken to Twitter to clarify what he meant, saying: ‘In my speech I called for more drama in schools not less [and] enhanced role for drama teachers – question over GCSE format [and] it’s perception.’

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SOLT awards over £50,000 to 2014 Laurence Olivier bursary recipients

The Society of London Theatre (SOLT) has awarded the latest round of Laurence Olivier Bursaries to 16 drama students worth over £50,000. The bursaries provide support to students who are facing financial difficulties in their final year of drama school.

The Laurence Olivier bursaries range from £500 up to a maximum of £7,500. Applicants are nominated by the principal of their Drama UK accredited school; they are then asked to audition for a panel of industry professionals led by West End producer and Olivier Bursaries Committee chair Lee Menzies. Previous high-profile bursary recipients include Paterson Joseph, Ewan McGregor and Michael Sheen.

Other grants, such as the Behrens Foundation and Carmen Silvera bursaries, are awarded in conjunction with the SOLT scheme. This year saw the inaugural Clothworkers’ Foundation bursary awarded, worth a total of £37,500 over five years, with £7,500 awarded to a student annually.

The 2014 Laurence Olivier bursaries were awarded to:
Edward Bluemel (Royal Welsh College of Music and Drama)
Jammy Bulaya (Royal Central School of Speech and Drama)
Rhianna Compton (Manchester School of Theatre)
Kate Dolan (The Italia Conti Academy of Theatre Arts)
Georgina Downing (Birmingham School of Acting)
Lottie Finklaire (East 15 Acting School)
Emily-Jane McNeill (Royal Conservatoire of Scotland)
Megan Pemberton (Oxford School of Drama)
Juma Sharkah (Arts Educational Schools)
Lauren  Soley (Mountview Academy of Theatre Arts)
Elena Valentine (The Academy of Live and Recorded Arts).

2014 OLIVIER BURSARY WINNERS

Back row (L–R) Georgina Downing, Matt Jessop, Michael Jarvis (Clothworkers’ Foundation), Hannah Morrish, Jordon Kemp, Jammy Bulaya, Emily-Jane McNeill, Celeste Veazey, Elena Valentine, Juma, Sharkah, Lauren Soley, Lee Menzies (chair of the Olivier Bursaries Committee); front row (L–R) Stuart Crowther, Kate Dolan, Lottie Finklaire, Edward Bluemel, Megan Pemberton, Rhianna Compton

Additional bursaries were also presented: The Clothworkers’ Laurence Olivier Bursary was awarded to Matt Jessup of Bristol Old Vic Theatre School; the Behrens Foundation Bursary went to Stuart Crowther from The Liverpool Institute for Performing Arts, Hannah Morrish from Drama Centre London and Celeste Veazey of Rose Bruford; the Carmen Silvera Bursary was awarded to Jordon Kemp from Drama Centre London.

The winning students were presented with their bursaries by Lee Menzies in June. Speaking at the ceremony, Menzies said: ‘The standard of applicants this year was, once again, extremely high making the selection process very difficult. With the erosion of educational funding nationally, the support we are able to offer students through the Olivier Bursaries is needed more than ever.

‘We are extremely grateful to all our donors and, for the first time this year, the Clothworkers’ Foundation for the significant amount of money they have pledged for the next five years in support of these objectives via the Clothworkers’ Laurence Olivier Bursary. Financial support of this kind, via all the bursaries, allows the recipient to continue their studies with a small financial cushion.’