Specially priced performance of The Scottsboro Boys for low-income families

Mousetrap Theatre Projects and West End producer Paula Marie Black organised a family performance on 5 November of The Scottsboro Boys at the Garrick Theatre, London.

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The Scottsboro Boys runs at The Garrick Theatre, London (Credit: Johan Persson)

Those invited to attend were families who have previously taken part in Mousetrap’s Family First Nights (FFN) programme. FFN, which has been running for the last 17 years, runs a five-week summer programme where low-income families (identified by organisations such as social service agencies, housing associations, charities and community projects) can choose from 30 theatre productions in London and the West End with the support of Mousetrap. FFN participants are then invited to theatre, opera and dance events throughout the year.

The performance of The Scottsboro Boys had specially priced tickets, with children’s at £2.50–£5 and adults at £5–£10. The event sold out with 180 families in attendance. The performance time was moved to an earlier slot to 7.15pm to accommodate the needs of those with young children.

Susan Whiddington, director of Mousetrap Theatre Projects, said, ‘We are delighted to invite our families to this spectacular and very moving musical and are incredibly grateful to the generosity of Paula Marie Black for making it possible. We believe the electricity and the energy of this family audience will be inspirational to the actors and everyone involved in the production.’

Andrew Lloyd Webber’s Stephen Ward the musical to close in early

The curtain is to fall on Andrew Lloyd Webber’s latest show Stephen Ward, a musical interpretation of the Profumo scandal, after less than four months following disappointing ticket sales. The musical, which cost £2.5m to stage, opened at the Aldwych Theatre on 19 December.

Untitled jStephen Ward producer Robert Fox said in a statement: ‘I am very sad to see the show close in London but firmly believe this piece will be seen by many audiences in the future.’

In response to the criticism the show had received, Lloyd Webber said in a letter to The Telegraph: ‘The difference between success and failure in musical theatre is a horrifyingly fine line. However, I believe that if you choose a subject purely because it appears commercial, catastrophe looms’.

According to statistics from The Society of London Theatre, out of the 24 longest-running shows on London’s West End, five are Andrew Lloyd Webber productions (Details correct as of November 2013: The Phantom of the Opera, Cats, Starlight Express, Jesus Christ Superstar, Evita).

Stephen Ward runs at the Aldwych Theatre until 29 March www.stephenwardthemusical.com