Theatre figures recognised in 2015 New Year honours list

Kristin Scott Thomas, pictured Electra (Credit: Johan Persson)

The 2015 New Year honours list has recognised a range of individuals holding performing, artistic and administrative roles in the theatre and stage sector.

Actress Kristin Scott Thomas, who starred in The Old Vic’s Electra last year, has been made a dame for her services to drama. Stage and screen actors Sheridan Smith and James Corden have both been awarded OBEs. Actress and writer Meera Syal, most recently seen performing in the National Theatre’s Behind the Beautiful Forevers, has been awarded a CBE for services to drama and literature.

Paul Kerryson (Credit: Paul Adams)

Leicester Theatre Trust’s Paul Kerryson (Credit: Paul Adams)

Artistic director of Leicester Theatre Trust Paul Kerryson, also outgoing artistic director of Leicester’s Curve, has been awarded an MBE for his services to theatre in Leicester. Also being honoured with an MBE is Graeme Phillips, Liverpool’s Unity Theatre artistic director who is stepping down from the role after more than three decades; he is being recognised for his services to the arts in Liverpool. Founder and artistic director of Northern Broadsides Barrie Rutter has also been awarded for his services to drama with an OBE.

P11_ES_DEVLIN_INTELLIGENT_LIFE_473_V2Retreat_1 David Ellis

Stage designer Es Devlin (Credit: David Ellis)

Design talents of the theatre world have also been acknowledged in this year’s honours: stage designer Es Devlin – whose recent work includes I Can’t Sing! at the Palladium, American Psycho at the Almeida Theatre and the 2014 Olivier Award-winning Chimerica – has been presented with an OBE for services to stage and set design; and the Royal Shakespeare Company’s associate designer Tom Piper has been awarded an MBE for services to theatre, and as well as for services to First World War commemorations, for his part in the poppies installation at the Tower of London.

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Mousetrap win award for charity work

Mousetrap Theatre Projects has been awarded with the Sandford Award for Heritage Education – a first for any UK theatre organisation. The Sanford Award honours organisations for quality and excellence in their educational services and facilities at a heritage site – a prize which, until this year, had not been won by a theatre organisation. Previous winners have included the Tower of London and Edinburgh Castle.

Mousetrap specialise in providing young people with access to theatre performances in London. They work with children from disadvantaged areas and backgrounds, as well as children who have special needs and learning difficulties.

Director of Mousetrap, Susan Whiddington said: ‘We believe that theatre is a significant contributor to Britain’s cultural heritage and we are thrilled to be recognised for our part in bringing theatre to young people who would otherwise not have access to it.’

The theatre charity won for their overall work, but more specifically for their StageSeen programme: a theatre day which sees the company work with hard of hearing or deaf young people. The day includes participants taking part in a workshop with a deaf theatre facilitator, as well as providing the attendees with a BSL interpreted or captioned matinee performance of a production such as Billy Elliot.

Sandford Award judge Adam Clarke said: ‘Mousetrap’s work with hard to reach and seldom heard young people incorporates practice that could, and perhaps should, be transferred to all organisations and properties that deliver schools’ programmes. In enabling access to the West End stage, children are given access to a magical world that enables them to learn, create, socialise and grow.’

Chief executive of the Society of London Theatre, Julian Bird, offered his congratulations to Mousetrap, an organisation which they provided support to over the past six years: ‘To be the first theatre education organisation to be awarded a Sandford Award is an incredible accolade. I would like to congratulate Mousetrap for its instrumental work in introducing young people to the magic of theatre, irrespective of their cultural, social or economic background.’

www.mousetrap.org.uk