Free tickets to all London and Birmingham secondary schools for 2016’s Playing Shakespeare

"Playing Shakespear with Deutsche Bank", PSWDB, at the Globe Theatre. School children get the chance to see a Shakepear play "The Merchant of Venice" performed at the Globe. Date: 12 March 2014 Photograph by Amit Lennon

Last year’s Playing Shakespeare with Deutsche Bank production, The Merchant of Venice (Credit: Amit Lennon)

Shakespeare’s Globe has announced that 2016’s Playing Shakespeare schools’ production will be Twelfth Night, running from 25 February–18 March 2016. Secondary state schools in London and Birmingham are eligible for an unlimited number of free tickets for weekday performances at 2pm during the period 25 February–10 March, and for the 7pm performance on 1 March.

State schools outside the London and Birmingham areas, as well as independent schools and colleges, can book reduced rate tickets ranging from £5 to £15 for weekday performances at 2pm during the period 11–18 March.

Supporting the production will be free schools’ workshops, launching in December, CPD sessions for teachers, classroom resources, and a dedicated Twelfth Night website which will launch in January next year.

London, 26th February 2015: Othello at Shakespeare’s Globe, directed by Bill Buckhurst, as part of Globe Education’s Playing Shakespeare with Deutsche Bank 2015

Othello was 2015’s Playing Shakespeare production (Credit: Cesare DeGiglio)

The play, specially designed for GCSE and A-level students, will fit the National Curriculum specification for KS3 (where students are required to study two of Shakespeare’s plays) and KS4 (where students are assessed on one of the Bard’s works).

The Playing Shakespeare initiative will celebrate its tenth anniversary in 2016. Through Globe Education’s partnership with Deutsche Bank, Playing Shakespeare has presented over 117,000 free tickets to schools, with over 70% of schools taking part from every London borough.

Booking for Playing Shakespeare’s production Twelfth Night opens in September; www.shakespearesglobe.com/playing-shakespeare.

Regent’s Park Open Air Theatre: Twelfth Night, Re-imagined – Performance Review

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Iain Johnstone leads the Twelfth Night cast as Feste in a musical rendition (Credit: Johan Persson)

by Rachel Creaser
Star rating

*****
Same stage and sunshine, but a new adventure each year at Regent’s Park Open Air Theatre’s ‘Re-imagined’.

Around this time last year, I attended The Winter’s Tale: re-imagined for everyone aged six and over. I recall (helped by re-reading my five-star review of the show) having a great time.

With the ethos the same each year, it could be feared that the ‘Re-imagined’ shows get samey or stagnant. This is definitely not at all the case with Regent’s Park Open Air Theatre: the energy and techniques used to deliver the desired outcome for ‘Re-imagined’ feel completely fresh. There’s an ease in what ‘Re-imagined’ does to connect with young audiences; the relationship between Shakespeare and young people isn’t forced – it’s genuine.

I felt that Twelfth Night had a slight more sophistication about it than A Winter’s Tale, which is still had the age-appropriate introductions to characters and plot, they felt more part of the world of the play – character’s introduced themselves in character, but in the third person. The production is colourful, energetic and fun without being brash.

One of the most enjoyable elements was the live music. Feste (played by Iain Johnstone) playing the accordion added a atmospheric ‘folksy’ feel to the piece. It also helped the audience dance participation feel more at home within the play. One of the ways in which this felt like a real ensemble piece was how the actors swapped instruments – once even during mid-song.

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Sarah Ridgeway and Guy Lewis as parted twins Viola and Sebastian (Credit: Johan Persson)

Performances from the whole cast were very enjoyable and engaging: Sarah Ridgeway’s ‘boy’ impersonation was funny, but not overdone or distracting; Riann Steele had great confidence and presence as Olivia; and Wayne Cater’s drunken Sir Toby Belch and Iain Johnstone’s Feste and pirate Antonio added darker notes to what was largely a fun and upbeat character make-up.

The set evoked the feel of a folk-esque funfair. The ‘love-o-metre’, which rang each time a character fell in love, was a fun set piece but also helpful at marking key moments in the narrative.

This production acts as a great introduction to Shakespeare for young people: it has mistaken identity, love, madness, humour and a man in yellow stockings.

Even if the rain had poured down, I can’t imagine that I would have enjoyed the show any less.

Twelfth Night re-imagined for everyone aged six and over runs until 12 July. There is an accompanying education resource pack available on the website, containing rehearsal images and post-show activity ideas: https://openairtheatre.com/production/twelfth-night-reimagined

Nominations for Olivier Awards 2013 revealed

The National Theatre's Curious Incident of the Dog in the Night-time receives eight nominations (Credit: Manuel Harlan)

The National Theatre’s Curious Incident of the Dog in the Night-time receives eight nominations (Credit: Manuel Harlan)

The nominations for the Olivier Awards 2013 have been announced, with the National Theatre’s A Curious Incident of the Dog in the Night-time leading with eight nominations.

The adaptation of Mark Haddon’s novel has received nominations for best theatre choreographer, best set, sound and lighting design, best director for Marianne Elliott, best supporting actress for Nicola Walker, best actor for lead Luke Treadaway and best new play.

Musical Top Hat was another popular choice for this year’s awards receiving seven nominations, including best actor and best actress in a musical nods for Tom Chambers and Summer Strallen.

High profile actors from the big and small screen featured heavily: in the best actress category Helen Mirren has been nominated for her role as Queen Elizabeth II in The Audience, Kristin Scott Thomas for her role in Old Times and Billie Piper for her part in Lucy Prebble’s The Effect. The nominees for best actor include Rupert Everett for The Judas Kiss, Mark Rylance for his turn as Olivia in Twelfth Night and James McAvoy in the Trafalgar Studio’s production of Macbeth.

The awards ceremony will take place on 28 April at the Royal Opera House.

For the full list of nominations, visit www.olivierawards.com/nominations