Winners of The Mousetraps 2015 announced

The awards

The 2015 awards for The Mousetraps

The fourth annual edition of theatre awards ‘The Mousetraps’ took place on 22 March at the Charing Cross Theatre. The Mousetraps, voted for by young theatregoers aged 15 to 23, are organised by Mousetrap Theatre Projects: a theatre education charity widening access to performance for young people with limited means and support or special needs.

The awards honoured West End favourites such as Wicked, presented with the prize for show I’d sell my soul to be in; Billy Elliot, winning fascinating storyline; STOMP, picking up most dazzling choreography; and Les Misérables, named musical that blew my mind.

Other theatre favourites such as War Horse and The Curious Incident of the Dog in the Night-Time also came away with prizes, for best play and best design respectively. The Scottsboro Boys was presented with the award for best ensemble and The Book of Mormon won the title for show that split my sides.

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Martin Freeman accepting his award for best male performer at The Mousetraps (Credit: @ZareenWalker)

The Mousetraps’ acting awards went to two major stage and screen stars: Gemma Arterton, who was named best female performer for her lead role in Made in Dagenham, and Martin Freeman, who collected his title for best male performer for Richard III in person.

The ceremony, compered by members of Mousetrap’s Youth Forum, was opened by actor Samuel J Holmes. The presentation of awards was accompanied by performances from young people, featuring street dance, performance poetry, musical improvisation and Shakespearean monologues.

To see more from the 2015 Mousetraps, check out the Twitter hashtag #MousetrapAwards. For more information about Mousetrap Theatre Projects, visit www.mousetrap.org.uk.

Free theatre performances at West End Live this weekend

If you are in the capital this weekend, you might want to drop by West End Live in Trafalgar Square where the event will be celebrating its tenth anniversary.

West End Live provides two days of free taster performances of shows from London’s West End. Show taking part this year include: The Commitments, Once, Wicked, Billy Elliot, The Pajama Game, Matilda, Charlie and the Chocolate Factory, MAMMA MIA!, The Bodyguard, The Lion King, Stomp, Thriller Live, Jersey Boys, and many more.

A first for this year’s event will see a series of talks with people in the theatre industry. The talks will take place in West End Live’s Theatre Emporium, hosted in a 1920s Spiegeltent in Leicester Square. Scheduled to speak are director Jamie Lloyd and the casts of Handbagged and forthcoming production Shakespeare in Love. 

To mark the significant anniversary, there will be a cabaret performance of ten songs which have been performed at West End Live throughout the last decade.

West End Live is a free and non-ticketed event. The event runs on Saturday 21 June (11am-6pm) and Sunday 22 June (12-6pm); www.westendlive.co.uk.

Take children to London shows for free this August with Kids Week

Bodyguard workshop 2013 (photo credit Pamela Raith)

A workshop from The Bodyguard last summer (Credit: Pamela Raith)

The Society of London Theatre’s Kids Week returns this summer. The initiative offers free tickets to young people under the age of 16 to over 35 shows in London. Kids Week takes place throughout August (1–31) and is available to young people who are accompanied by a full-paying adult.

Shows on offer for those aged three to five and above are The Elephantom, The Tiger Who Came to Tea, What The Ladybird Heard, The 39 Steps, Charlie And The Chocolate Factory, The Lion King, Hetty Feather, Horrible Histories – Barmy Britain Part 2, MAMMA MIA!, Matilda The Musical, The Pajama Game, Stomp, Thriller Live, Top Hat, Wicked and many others.

For slightly older audiences, there’s also plenty of London favourites, from shows for those needing parental guidance through to audiences of young people aged 15+: Billy Elliot The Musical, The Bodyguard, The Commitments, The Curious Incident Of The Dog In The Night-Time, The Importance Of Being Earnest, Jeeves And Wooster In Perfect Nonsense, The Mousetrap, Shakespeare In Love, War Horse,The Woman In Black, Avenue Q, Ghost Stories,Jersey Boys, Let The Right One In and Once.

The month-long scheme also offers a vast selection of free activities and events for young people to participate in: fans of The Elephantom can make their own Elephantom at a practical craft-based workshop; talk to the cast and creative team of Charlie and the Chocolate Factory at a post-show Q&A session; learn more about the theatre of Shakespeare’s era in a workshop with Shakespeare In Love‘s associate director; and discover how The Curious Incident Of The Dog In The Night-Time translated from page to stage.   

All tickets, on sale now, for Kids Week shows and activities are subject to availability. For information on how to book tickets for shows and workshops, as well as more information about all the offerings this August, visit www.kidsweek.co.uk.

Line up for Kids Week 2013 revealed

kids-week-logoThe West End shows taking part in Kids Week 2013 have been revealed. Throughout August, young people will be able to attend performances, workshops and free activities as part of Kids Week – an initiative run by Official London Theatre and the Society of London Theatre.

The Kids Week scheme, now in its 16th year, offers free tickets to children aged under 16 for every adult ticket purchased. There is a range of 34 productions available to see, including Olivier Award winning productions of The Curious Incident of the Dog in the Night-time, A Chorus Line, Top Hat and Matilda The Musical.

Long-running musicals also feature, with free tickets for children available for Billy Elliot the Musical, Les Misérables, The Lion King, Mamma Mia!, West Side Story, We Will Rock You and Wicked.

In 2012, Kids Week won Best Cultural Attraction at the London Lifestyle Awards, beating out  The London Eye, Shakespeare’s Globe and London Zoo to the prize.

Kids Week 2013 runs from 1 to 31 August. Tickets go on sale on 18 June. For more information, visit www.kidsweek.co.uk.

Wicked Young Writers’ Award

The Wicked Young Writers’ Award is back for the third year running. The award encourages writing talent throughout the UK. Young people aged five to 25 can enter.

War Horse author, Michael Morpurgo is a strong advocate, speaking of the Wicked Young Writers’ Award as something, ‘very close to my heart’.

Morpurgpo said: ‘Last year my fellow judges and I were delighted to read so many stories that were passionately felt and honestly written down, and where the young writers had found their own unique voices. I’m looking forward to another successful year.’

The Wicked Young Writers’ Award is free to enter; entries must be no longer than 750 words and can be of any genre. Applicants may write in poetry or prose. The award is split into five categories; ages 5-7, 8-10, 11-14, 15-17 and entrants aged 18-25 compete for the Gregory Maguire Award.

The competition encourages teachers to enter work on behalf of their students through the schools’ entry form. The Wicked Young Writers’ Award website has a page for teacher’s offering video tips to encourage writing in the classroom. There is also a set of teacher’s notes available for download. The resources can be found here: http://wickedyoungwriters.com/teachers_resource.html

In the autumn, a shortlist of 100 finalists will be announced. These finalists will receive a published 2012 Wicked Young Writers’ Award Anthology which will include their own writing. The 18-25-year-old category will have their work published in an e-Book.

One winner will be chosen for each category, with the winner receiving four tickets to see Wicked on the West End and the chance to meet the cast after the show. They will also receive a writing masterclass with one of the competition’s judges.

Entry submission closes on 31 July. To find out more about the competition and how to enter visit wickedyoungwriters.com

The Stage reveals high theatre prices

An investigation by The Stage has revealed the high cost of visiting popular shows in the West End. The theatre industry newspaper uncovered some of the rather hefty charges incurred when attending theatre in the capital.

Buying tickets online is costing theatre-goers up to £12.25, just in booking fees. But the charges are not consistent across the board, The Stage found that for shows such as Chicago and War Horse there was no fee, however, shows toward the top end of the booking charge scale, at £12+ included; We Will Rock You, Wicked and Top Hat.  

The charges were found to vary between the tiers of tickets for sale. When purchasing a top-price ticket, customers are charged a fee of £8.25, however, for cheaper seats, costing just £34, the booking charge drops to £5.50.

On top of this initial fee, there is a further £4 charge, which goes towards the delivery costs of posting or emailing tickets to customers.  However, this charge is only applicable to UK residents, for which collection at the theatre is not permitted.

A spokesman for Which? told The Stage: ‘About 50,000 people supported our campaign to see these ‘rip-off’ charges stamped out so the government must stick to its commitment and ensure the ban happens by December.’

The Stage has also uncovered the most expensive tickets on sale in the West End. On average a top price ticket costs £72.12 and the average cost for the least expensive seats is £21.91 – inclusive of booking charges.

Their investigation found that Billy Elliot was the most expensive musical, charging £97.50 for a top-tier ticket. The Ladykillers was named as the most expensive play to attend, charging customers £97 for buying a top price ticket.

But for a country still cost-cutting after the recession, it was not all bad news – both War Horse and Les Miserables came out top for offering the cheapest seats for theatre-goers. Les Miserables has tickets starting from £12 and War Horse came out even cheaper, with prices from just £10.

Do high prices deter you from visiting the theatre? Do you think is justified for theatres to charge this much for tickets and booking fees? Do you think the high cost discourages young people from attending? Let us know what you think.

www.thestage.co.uk/news/newsstory.php/35824/exclusive-west-end-audiences-face-booking
www.thestage.co.uk/news/newsstory.php/35823/exclusive-top-priced-london-theatre-seats